ADRIENNE CORRI

 

(13 November 1930 - 13 March 2016)

Adrienne Corri

The British actress, born of an Italian father and a Lancastrian mother, may well be most remembered for nothing more than stripping off for Stanley Kubrick in A Clockwork Orange, after two other actresses had refused the role. However, she had a long and versatile career on stage and in films and television. Theatre work in London and the provinces included plays by John Osborne and Samuel Beckett. Her first film was The Romantic Age (1949) directed by the iconic cult figure of Edmond T. Gréville, after which she worked with Jean Renoir on The River (1951), an adaptation of the Rumer Godden novel set in India. Following some TV work she was Kirsty in Philip Leacock’s film The Kidnappers, about two boys finding and caring for a baby. Steady film work followed through the 1950s including not only classic British films such as Lease of Life, Meet Mr Callaghan, Make Me an Offer, Three Men in a Boat, The Rough and the Smooth and The Tell-Tale Heart, but also a number of B-pictures such as Devil Girl From Mars. Later films included Preminger’s Bunny Lake Is Missing and The Human Factor, Lean’s Doctor Zhivago, De Sica’s Woman Times Seven, Blake Edwards’ Revenge of the Pink Panther and, of course, A Clockwork Orange. On TV she appeared in Sword of Freedom, Paris 1900, Danger Man, Armchair Theatre, You’re Only Young Twice, Eyeless in Gaza, A Family at War and Doctor Who, among countless other series. Her last performance was in an episode of Lovejoy (1992). Corri was married for a time (1961-67) to actor Daniel Massey.

MICHAEL DARVELL

 
Michael Darvell

Michael Darvell trained as a librarian at Watford and in Surrey before joining Ealing Libraries where he became Music Librarian for the borough. He edited Masthead, the magazine of the University of North London School of Librarianship, The Surrealist, the staff magazine of Surrey County Library, and contributed to the Assistant Librarian and London Librarian professional journals. A freelance film reviewer since 1970, he has written for Film, Films Illustrated, Film Review, Movie Maker and Radio Times, as well as editing Montage, the London film societies magazine, for ten years. A change of career saw him joining What’s On in London as Features Editor and he eventually stepped into the shoes of the late F. Maurice Speed (founding father of Film Review annual) as the magazine’s Editor. From 2007 to 2015, he was co-editor of the Film Review annual with Mansel Stimpson. As well as writing about films, Michael has reviewed theatre for The Stage newspaper, and has written about music theatre and cabaret for the Classical Source and Musical Theatre Review websites. He is also a former restaurant critic for the ViewLondon website. Michael has been a member of the London Film Critics’ Circle since 2005.

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