ANNE V. COATES

 

(12 December 1925 - 8 May 2018)

Anne V. Coates

The British film editor Anne V. Coates, who has died at the age of 92, was the niece of film mogul J. Arthur Rank. Her first film job was at Elstree repairing Rank’s early religious films on their return from church screenings. She eventually secured a job at Pinewood, becoming assistant on Powell & Pressburger’s The Red Shoes (1948). After several more films as an assistant editor, she was the (uncredited) assembly cutter on Disney’s The Story of Robin Hood and His Merrie Men in 1952. From then on she was never out of work and edited The Pickwick Papers, The Horse’s Mouth, Tunes of Glory and many other British films. Lawrence of Arabia was her greatest achievement, but she also worked on Becket, Those Magnificent Men in Their Flying Machines, Murder on the Orient Express, The Eagle Has Landed, The Elephant Man, Greystoke, Chaplin, Erin Brockovich and very many others, notching up over fifty titles. She was working right up to the end of her life, on Fifty Shades of Grey and A Dolphin in Our Lake, which is in pre-production. Anne V. Coates was married to the film director Douglas Hickox and they have three children.

MICHAEL DARVELL

 
Michael Darvell

Michael Darvell trained as a librarian at Watford and in Surrey before joining Ealing Libraries where he became Music Librarian for the borough. He edited Masthead, the magazine of the University of North London School of Librarianship, The Surrealist, the staff magazine of Surrey County Library, and contributed to the Assistant Librarian and London Librarian professional journals. A freelance film reviewer since 1970, he has written for Film, Films Illustrated, Film Review, Movie Maker and Radio Times, as well as editing Montage, the London film societies magazine, for ten years. A change of career saw him joining What’s On in London as Features Editor and he eventually stepped into the shoes of the late F. Maurice Speed (founding father of Film Review annual) as the magazine’s Editor. From 2007 to 2015, he was co-editor of the Film Review annual with Mansel Stimpson. As well as writing about films, Michael has reviewed theatre for The Stage newspaper, and has written about music theatre and cabaret for the Classical Source and Musical Theatre Review websites. He is also a former restaurant critic for the ViewLondon website. Michael has been a member of the London Film Critics’ Circle since 2005.

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