ANTHONY HARVEY

 

(3 June 1930 - 23 November 2017)

Anthony Harvey

Following a single film acting appearance as a child – playing Ptolemy in Gabriel Pascal’s Caesar and Cleopatra (1945) – the British film director Anthony Harvey, who has died at the age of 87, began his career as an editor. From the 1950s he was with the Boulting brothers on such films as Private’s Progress, Brothers In Law, Happy Is the Bride, Carlton-Browne of the F.O. and I’m All Right Jack. He edited Anthony Asquith’s The Millionairess, then Guy Green’s The Angry Silence, co-written and co-produced by Bryan Forbes for whom he also edited The L-Shaped Room and The Whisperers. For Stanley Kubrick, Harvey edited Lolita and Dr Strangelove and he worked with Martin Ritt on The Spy Who Came In From the Cold. Dutchman was Harvey’s first film as a director in 1966, an adaptation of a play by Amiri Baraka, with Shirley Knight. He directed Peter O’Toole and Katharine Hepburn in The Lion in Winter, which won three Oscars (Harvey was nominated too) and he also worked with O’Toole on the TV movie of Svengali and with Hepburn again on a TV adaptation of The Glass Menagerie, on the film Grace Quigley and for television This Can’t Be Love, Harvey’s final work in 1994. Other films directed by Harvey include They Might Be Giants with George C. Scott, The Abdication and Richard’s Things, both with Liv Ullmann, Players and the Western Eagle’s Wing. His other TV work included The Disappearance of Aimee with Faye Dunaway and Bette Davis, and the US sequences of The Patricia Neal Story, with Glenda Jackson.

MICHAEL DARVELL

 
Michael Darvell

Michael Darvell trained as a librarian at Watford and in Surrey before joining Ealing Libraries where he became Music Librarian for the borough. He edited Masthead, the magazine of the University of North London School of Librarianship, The Surrealist, the staff magazine of Surrey County Library, and contributed to the Assistant Librarian and London Librarian professional journals. A freelance film reviewer since 1970, he has written for Film, Films Illustrated, Film Review, Movie Maker and Radio Times, as well as editing Montage, the London film societies magazine, for ten years. A change of career saw him joining What’s On in London as Features Editor and he eventually stepped into the shoes of the late F. Maurice Speed (founding father of Film Review annual) as the magazine’s Editor. From 2007 to 2015, he was co-editor of the Film Review annual with Mansel Stimpson. As well as writing about films, Michael has reviewed theatre for The Stage newspaper, and has written about music theatre and cabaret for the Classical Source and Musical Theatre Review websites. He is also a former restaurant critic for the ViewLondon website. Michael has been a member of the London Film Critics’ Circle since 2005.

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