BARBARA HARRIS

 

(25 July 1935 - 21 August 2018)

Barbara Harris

The American actress Barbara Harris, who has died aged 83 from lung cancer, always made a good impression whatever she appeared in. Much of her career was spent in the theatre but she was in some films and on television, too. She began acting as a teenager in Chicago, along with Mike Nichols, Elaine May and Edward Asner. Later, her husband Paul Sills, to whom she was married from 1955 to 1958, founded the Compass Players which later spawned the Second City theatre company, moving from Chicago to New York. She won a Tony award for the musical The Apple Tree in 1967. Her first TV appearance was in Alfred Hitchcock Presents in 1961, followed by Naked City, Channing, The Defenders, etc. Her first film was Fred Coe’s A Thousand Clowns in 1965, then Oh Dad, Poor Dad, Momma’s Hung You In the Closet and I’m Feelin’ So Sad and Who Is Harry Kellerman and Why Is He Saying Those Terrible Things About Me?, possibly two of the longest film titles ever. Shorter ones included Arthur Hiller’s Plaza Suite, Robert Altman’s Nashville, Hitchcock’s Family Plot and Disney’s Freaky Friday, with Jodie Foster. The films got fewer in the 1970s with just Movie Movie, Hill’s Angels and The Seduction of Joe Tynan. In the 1980s Barbara Harris was in Second-Hand Hearts, Peggy Sue Got Married, Nice Girls Don’t Explode and Dirty Rotten Scoundrels. Her last film was Grosse Pointe Blank in 1997. The rest of her time was taken up in teaching acting classes in Scottsdale, Arizona.

MICHAEL DARVELL

 
Michael Darvell

Michael Darvell trained as a librarian at Watford and in Surrey before joining Ealing Libraries where he became Music Librarian for the borough. He edited Masthead, the magazine of the University of North London School of Librarianship, The Surrealist, the staff magazine of Surrey County Library, and contributed to the Assistant Librarian and London Librarian professional journals. A freelance film reviewer since 1970, he has written for Film, Films Illustrated, Film Review, Movie Maker and Radio Times, as well as editing Montage, the London film societies magazine, for ten years. A change of career saw him joining What’s On in London as Features Editor and he eventually stepped into the shoes of the late F. Maurice Speed (founding father of Film Review annual) as the magazine’s Editor. From 2007 to 2015, he was co-editor of the Film Review annual with Mansel Stimpson. As well as writing about films, Michael has reviewed theatre for The Stage newspaper, and has written about music theatre and cabaret for the Classical Source and Musical Theatre Review websites. He is also a former restaurant critic for the ViewLondon website. Michael has been a member of the London Film Critics’ Circle since 2005.

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