EDWARD LEWIS

 

(16 December 1919 - 27 July 2019)

The film producer and writer Edward Lewis, who has died aged 99, was notable for choosing prestige properties to film. His CV probably contains more good films that many other producers would have loved to have on their roster. After he wrote and produced his first film The Lovable Cheat in 1949, then came The Admiral Was a Lady, after which he worked on some TV series until his next films, Run For the Hills, Lizzie and The Careless Years. All these titles were second features, but his movie in 1960 was an epic by comparison, Stanley Kubrick’s Spartacus, which Lewis co-produced with its star, Kirk Douglas, and for which he employed the Hollywood blacklisted writer Dalton Trumbo. There followed a skew of very interesting projects including The Last Sunset, Lonely Are the Brave, The List of Adrian Messenger, Seven Days in May, Seconds, Grand Prix, The Fixer, The Extraordinary Seaman, The Gypsy Moths, I Walk the Line, The Horsemen, The Iceman Cometh, Executive Action and Missing, among many others. With his wife Mildred, who died earlier this year, Lewis wrote books, plays and musicals. Edward and Mildred Lewis have two children.

MICHAEL DARVELL

 
Michael Darvell

Michael Darvell trained as a librarian at Watford and in Surrey before joining Ealing Libraries where he became Music Librarian for the borough. He edited Masthead, the magazine of the University of North London School of Librarianship, The Surrealist, the staff magazine of Surrey County Library, and contributed to the Assistant Librarian and London Librarian professional journals. A freelance film reviewer since 1970, he has written for Film, Films Illustrated, Film Review, Movie Maker and Radio Times, as well as editing Montage, the London film societies magazine, for ten years. A change of career saw him joining What’s On in London as Features Editor and he eventually stepped into the shoes of the late F. Maurice Speed (founding father of Film Review annual) as the magazine’s Editor. From 2007 to 2015, he was co-editor of the Film Review annual with Mansel Stimpson. As well as writing about films, Michael has reviewed theatre for The Stage newspaper, and has written about music theatre and cabaret for the Classical Source and Musical Theatre Review websites. He is also a former restaurant critic for the ViewLondon website. Michael has been a member of the London Film Critics’ Circle since 2005.

Previous
Previous

D.A. PENNEBAKER

Next
Next

RUTGER HAUER