GEORGE KENNEDY

 

(18 February 1925 - 28 February 2016)

George Kennedy

Although George Kennedy will probably be remembered more for his later comedy role of Detective Ed Hocken, assistant to Leslie Nielsen’s Frank Drebin in the Police Squad TV series and its cinema Naked Gun sequels from 1988, the actor had played in many iconic films as both heavies and heroes including The Dirty Dozen (1967), The Boston Strangler (1968), Airport (1970) and its many sequels, Earthquake (1974), The Eiger Sanction (1975), Death on the Nile (1978) and Brass Target (1978) playing General George Patton, among many other titles. Perhaps his best role was in Cool Hand Luke (1967) as chaingang boss Dragline, with Paul Newman., for which Kennedy received an Academy Award. His favourite film was Charade (1963) in which he appeared with Cary Grant and Audrey Hepburn on location in Paris. The son of a musician and a ballet dancer Kennedy started out in television in the 1950s, first as a technical adviser on Army matters for The Phil Silvers Show, otherwise known as Sgt Bilko. At Silvers’ suggestion he became an extra on the show, playing a military policeman. This led to other TV roles in Cheyenne, Laramie, Maverick, Route 66, Rawhide, Have Gun, Will Travel, Bonanza, Gunsmoke, The Virginian and later on Dallas. His first film of any substance was Lonely Are the Brave (1962), with Kirk Douglas and a script by Dalton Trumbo. He continued to work in both TV and films and seems never to have been out of a job. His last appearance was in Rupert Wyatt’s The Gambler (2014) with Mark Wahlberg, Jessica Lange, John Goodman and Brie Larson. 

MICHAEL DARVELL

 
Michael Darvell

Michael Darvell trained as a librarian at Watford and in Surrey before joining Ealing Libraries where he became Music Librarian for the borough. He edited Masthead, the magazine of the University of North London School of Librarianship, The Surrealist, the staff magazine of Surrey County Library, and contributed to the Assistant Librarian and London Librarian professional journals. A freelance film reviewer since 1970, he has written for Film, Films Illustrated, Film Review, Movie Maker and Radio Times, as well as editing Montage, the London film societies magazine, for ten years. A change of career saw him joining What’s On in London as Features Editor and he eventually stepped into the shoes of the late F. Maurice Speed (founding father of Film Review annual) as the magazine’s Editor. From 2007 to 2015, he was co-editor of the Film Review annual with Mansel Stimpson. As well as writing about films, Michael has reviewed theatre for The Stage newspaper, and has written about music theatre and cabaret for the Classical Source and Musical Theatre Review websites. He is also a former restaurant critic for the ViewLondon website. Michael has been a member of the London Film Critics’ Circle since 2005.

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