MICHAEL CHAPMAN

 

(21 November 1935 - 20 September 2020)

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The American cinematographer Michael Chapman, who has died aged 84 from congestive heart failure, became famous through his work with director Martin Scorsese. He began his career as a camera operator in 1965 on Joseph Cates’s Who Killed Teddy Bear? with Sal Mineo, Juliet Prowse and Elaine Stritch, subsequently working on Aram Avakian’s End of the Road, Irvin Kershner’s Loving, Hal Ashby’s The Landlord, John Cassavetes’ Husbands, Alan J. Pakula’s Klute, Francis Ford Coppola’s The Godfather and Steven Spielberg’s Jaws among others. He became a fully-fledged cinematographer on Ashby's The Last Detail (1973) with Jack Nicholson. For Scorsese he did Taxi Driver, American Boy, The Last Waltz and Raging Bull, Martin Ritt’s The Front with Woody Allen, the remake of Invasion of the Bodysnatchers and The Wanderers for Philip Kaufman, Dead Men Don’t Wear Plaid and The Man With Two Brains, both with Steve Martin, Scrooged and Ghostbusters II, both with Bill Murray, The Fugitive with Harrison Ford, and many more until 2007 when his last film was Gabor Caupo’s Bridge to Terabithia. He also worked with Scorsese on Michael Jackson’s Bad video. Michael Chapman was also something of an actor, appearing in many of the films he photographed, including Deadly Pursuit, Kindergarten Cop, Doc Hollywood, Six Days, Seven Nights, The Story of Us and Quick Change. He was nominated in the Academy Awards for Raging Bull and The Fugitive. Michael Chapman was married twice, first to Myriam P. Brun and then to the writer Amy Holden Jones. He has four children, Emma, Patrick, Jonathan and Andrew.

MICHAEL DARVELL

 
Michael Darvell

Michael Darvell trained as a librarian at Watford and in Surrey before joining Ealing Libraries where he became Music Librarian for the borough. He edited Masthead, the magazine of the University of North London School of Librarianship, The Surrealist, the staff magazine of Surrey County Library, and contributed to the Assistant Librarian and London Librarian professional journals. A freelance film reviewer since 1970, he has written for Film, Films Illustrated, Film Review, Movie Maker and Radio Times, as well as editing Montage, the London film societies magazine, for ten years. A change of career saw him joining What’s On in London as Features Editor and he eventually stepped into the shoes of the late F. Maurice Speed (founding father of Film Review annual) as the magazine’s Editor. From 2007 to 2015, he was co-editor of the Film Review annual with Mansel Stimpson. As well as writing about films, Michael has reviewed theatre for The Stage newspaper, and has written about music theatre and cabaret for the Classical Source and Musical Theatre Review websites. He is also a former restaurant critic for the ViewLondon website. Michael has been a member of the London Film Critics’ Circle since 2005.

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