MICHAEL CIMINO

 

(3 February 1939 - 2 July 2016)

Michael-Cimino

The American film director, writer and producer was originally a student of architecture and theatre until he had the opportunity to make documentaries and commercials. His first feature as a screenwriter was co-writing Silent Running (1972), a futuristic cross between ecology and science fiction. After working on the ‘Dirty Harry’ movie Magnum Force (1973) Clint Eastwood asked him to write and direct Thunderbolt and Lightfoot. This led eventually to Cimino directing his own story in The Deer Hunter (1978), an iconic study of the effects of the Vietnam War. Cimino contributed (uncredited) to the Bette Midler starrer The Rose and then came one of his and Hollywood’s biggest flops, Heaven’s Gate, although it has lately been re-evaluated. His career was packed with films he might have made but didn’t and some from which he was dropped. This may account for his relatively small output – he wrote just nine screenplays and directed only eight films including Year of the Dragon, The Sicilian, Desperate Hours and The Sunchaser, his last film in 1996. He finally contributed in 2007 to To Each His Own Cinema, a collection of shorts by over thirty globally famous directors. Always controversial, Cimino will be remembered for the personal quality of his films and his abiding desire not to compromise for commercialisation’s sake.

MICHAEL DARVELL

 
Michael Darvell

Michael Darvell trained as a librarian at Watford and in Surrey before joining Ealing Libraries where he became Music Librarian for the borough. He edited Masthead, the magazine of the University of North London School of Librarianship, The Surrealist, the staff magazine of Surrey County Library, and contributed to the Assistant Librarian and London Librarian professional journals. A freelance film reviewer since 1970, he has written for Film, Films Illustrated, Film Review, Movie Maker and Radio Times, as well as editing Montage, the London film societies magazine, for ten years. A change of career saw him joining What’s On in London as Features Editor and he eventually stepped into the shoes of the late F. Maurice Speed (founding father of Film Review annual) as the magazine’s Editor. From 2007 to 2015, he was co-editor of the Film Review annual with Mansel Stimpson. As well as writing about films, Michael has reviewed theatre for The Stage newspaper, and has written about music theatre and cabaret for the Classical Source and Musical Theatre Review websites. He is also a former restaurant critic for the ViewLondon website. Michael has been a member of the London Film Critics’ Circle since 2005.

Previous
Previous

ROGER DUMAS

Next
Next

BUD SPENCER