PETER SHAFFER

 

(15 May 1926 - 6 June 2016)

Peter Shaffer

Before the British playwright became established, he collaborated on crime novels with his twin brother Anthony Shaffer (who died in 2002). Eventually both became successful playwrights but Peter focussed on esoteric subjects, such as the Spanish capture of the Incas in The Royal Hunt of the Sun; the psychology behind the blinding of horses by a stable lad in Equus; and a riotous biographical play about the composer Mozart and his bête-noire Salieri in Amadeus which, when filmed in 1985, won an Oscar. All were staged by the National Theatre and all three were subsequently filmed. Before this, from the 1950s, Shaffer had some success with writing plays for television. His first stage play was Five Finger Exercise (1958), a study in family secrets as the arrival of a young tutor provides a catalyst for their revelations. It was filmed in 1962 with Rosalind Russell, Jack Hawkins and Maximilian Schell, although Shaffer did not write the screenplay. His play The Private Ear became The Pad and How To Use It when filmed in 1966, adapted by other hands. He had collaborated with Peter Brook on Lord of the Flies (1963) and later adapted The Public Eye for the film Follow Me! (1972), with Mia Farrow and Topol, Equus (1977) with Richard Burton and Peter Firth, and Amadeus (1984) with Tom Hulce and F. Murray Abraham. He also wrote more TV movies in what was not an immense output but one that had a touch of class and where his major stage works also proved popular on screen. Shaffer was made OBE in 1987 and received a knighthood in 2001.

MICHAEL DARVELL

 
Michael Darvell

Michael Darvell trained as a librarian at Watford and in Surrey before joining Ealing Libraries where he became Music Librarian for the borough. He edited Masthead, the magazine of the University of North London School of Librarianship, The Surrealist, the staff magazine of Surrey County Library, and contributed to the Assistant Librarian and London Librarian professional journals. A freelance film reviewer since 1970, he has written for Film, Films Illustrated, Film Review, Movie Maker and Radio Times, as well as editing Montage, the London film societies magazine, for ten years. A change of career saw him joining What’s On in London as Features Editor and he eventually stepped into the shoes of the late F. Maurice Speed (founding father of Film Review annual) as the magazine’s Editor. From 2007 to 2015, he was co-editor of the Film Review annual with Mansel Stimpson. As well as writing about films, Michael has reviewed theatre for The Stage newspaper, and has written about music theatre and cabaret for the Classical Source and Musical Theatre Review websites. He is also a former restaurant critic for the ViewLondon website. Michael has been a member of the London Film Critics’ Circle since 2005.

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