VILMOS ZSIGMOND

 

(16 June 1930 - 1 January 2016)

Vilmos Zsigmond

The Hungarian cinematographer spent five years as Director of Photography in a Budapest film studio and with his friend László Kovács they filmed the 1956 Hungarian Revolution, taking the footage to the US to sell to CBS. They then both stayed in America and subsequently worked together on The Summer Children (1965), a low-budget drama whose only saving grace was the cinematography. Zsigmond’s first US film was The Sadist (1963), one of several independent films he shot in his early days. The Incredibly Strange Creatures Who Stopped Living and Became Mixed-Up Zombies (1964) was another, allegedly the first monster musical. Its title was the most interesting thing about it. Future projects, however, got better and in 1971 Zsigmond shot Robert Altman’s McCabe and Mrs Miller, which was followed in quick succession by The Hired Hand, Deliverance, The Long Goodbye and Scarecrow. Spielberg used him on The Sugarland Express and Close Encounters of the Third Kind (for which Zsigmond won an Oscar), Michael Cimino hired him for The Deer Hunter (Bafta Award) and Heaven’s Gate, while Brian De Palma secured his services for Obsession, Blow Out, The Bonfire of the Vanities and The Black Dahlia. Other films include Stalin for television (Emmy Award), Sliver, Maverick, Jersey Girl, The Rose, The Witches of Eastwick, plus for Woody Allen Melinda and Melinda, Cassandra’s Dream and You Will Meet a Tall Dark Stranger. Zsigmond was very particular in his working methods, often using special filters and slightly exposing the film negative to give a muted effect. Not everybody agreed with his style and he was nearly shown the door on Close Encounters and was replaced on Funny Lady, because his results were considered too dark for a musical film. Despite that, Zsigmond was given recognition by the American Society of Cinematographers with a Lifetime Achievement Award. In 2008 James Chressanthis’ documentary film No Subtitles Necessary paid tribute to the work of both Zsigmond and his friend and colleague László Kovács (1933-2007) who also photographed many major US features such as Targets, Easy Rider, Five Easy Pieces, What’s Up, Doc?, Paper Moon, Shampoo, New York, New York, Ghostbusters etc.

MICHAEL DARVELL

 
Michael Darvell

Michael Darvell trained as a librarian at Watford and in Surrey before joining Ealing Libraries where he became Music Librarian for the borough. He edited Masthead, the magazine of the University of North London School of Librarianship, The Surrealist, the staff magazine of Surrey County Library, and contributed to the Assistant Librarian and London Librarian professional journals. A freelance film reviewer since 1970, he has written for Film, Films Illustrated, Film Review, Movie Maker and Radio Times, as well as editing Montage, the London film societies magazine, for ten years. A change of career saw him joining What’s On in London as Features Editor and he eventually stepped into the shoes of the late F. Maurice Speed (founding father of Film Review annual) as the magazine’s Editor. From 2007 to 2015, he was co-editor of the Film Review annual with Mansel Stimpson. As well as writing about films, Michael has reviewed theatre for The Stage newspaper, and has written about music theatre and cabaret for the Classical Source and Musical Theatre Review websites. He is also a former restaurant critic for the ViewLondon website. Michael has been a member of the London Film Critics’ Circle since 2005.

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