CHUCK RUSSELL

 

(9 May 1952 – 22 July 2026)

Chuck Russell

Chuck Russell was an American filmmaker best known for A Nightmare on Elm Street 3: Dream Warriors, The Blob, The Mask, Eraser and The Scorpion King. As well as directing, he was also a producer and screenwriter. He has died at the age of 74 after a somewhat crazy career that mixed comedy with thrills. Apart from the horror subjects, his most appealing, unusually clever and hilarious film was arguably The Mask which demonstrated his talent at full throttle and, according to its star, Jim Carrey, was “one of the jewels of my creative life.”

Charles Raymond Russell was born in Park Ridge, Illinois, where his mother Patricia was a travel agent and his father an advertising executive. He began his career directing stage productions in Chicago and then entered films as a production manager and assistant director on independent movies while also writing plays. He met the director Frank Darabont and they collaborated on Dreamscape for which Russell co-wrote the screenplay, a sci-fi horror film starring Dennis Quaid, Max von Sydow and Christopher Plummer.

His first film as director was A Nightmare on Elm Street 3: Dream Warriors, the horror film that proved there was still life in the franchise by including Freddy’s inner world as deployed through special effects. Russell managed to repeat his success in 1988 with more horror in The Blob and then produced his masterpiece The Mask (1994), the slapstick comedy about a meek and mild bank teller who becomes a superhero when he puts on an ancient mask, turning him into a crazy, wisecracking clown. The visual effects were achieved by Industrial Light and Magic and, while the film cost $23 million, it coined in over $350 million at the global box office, as well as boosting the careers of Carrey and Cameron Diaz.

Chuck Russell went on to direct two action films, Eraser (1996) with Arnold Schwarzeneger, and The Scorpion King (2002) with Dwayne ‘The Rock’ Johnson, and they both scored at the box-office. He also made Bless the Child (2000), a supernatural horror film about a girl with special powers, starring Kim Basinger, Jimmy Smits, Rufus Sewell and Christina Ricci. After directing an episode of the sci-fi series Fringe, Russell made I Am Wrath, a vigilante action-thriller with John Travolta, Junglee, a Hindi-language action adventure, and Paradise City (2022), an action film with Bruce Willis and John Travolta. The last film Russell directed was Witchboard, a supernatural horror story written by Russell in 2024, a remake of the 1986 film. Russell also produced several films, such as The Hearse with Trish Van Devere and Joseph Cotten, Hell Night with Linda Blair, The Seduction with Morgan Fairchild, Girls Just Want to Have Fun, with Sarah Jessica Parker, Back to School with Rodney Dangerfield and Michael Mann’s Collateral with Tom Cruise.

Chuck Russell was married to the architect and urban planner Patti Rao,  which ended in divorce in 2005, and then he married the actress and producer Ania Zeyne from 2007 until his death. He had three children, Carlyn, Riley and Logan.

MICHAEL DARVELL

 
Michael Darvell

Michael Darvell trained as a librarian at Watford and in Surrey before joining Ealing Libraries where he became Music Librarian for the borough. He edited Masthead, the magazine of the University of North London School of Librarianship, The Surrealist, the staff magazine of Surrey County Library, and contributed to the Assistant Librarian and London Librarian professional journals. A freelance film reviewer since 1970, he has written for Film, Films Illustrated, Film Review, Movie Maker and Radio Times, as well as editing Montage, the London film societies magazine, for ten years. A change of career saw him joining What’s On in London as Features Editor and he eventually stepped into the shoes of the late F. Maurice Speed (founding father of Film Review annual) as the magazine’s Editor. From 2007 to 2015, he was co-editor of the Film Review annual with Mansel Stimpson. As well as writing about films, Michael has reviewed theatre for The Stage newspaper, and has written about music theatre and cabaret for the Classical Source and Musical Theatre Review websites. He is also a former restaurant critic for the ViewLondon website. Michael has been a member of the London Film Critics’ Circle since 2005.

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